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Process And Time
Performance of making - by hand.
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Glass placed within invisible 1cm sq
Shattered glass represents a screen pixelated image, and narrates the distance - something in between - a viewer and the image. Bouncing reflections and artificial brightness.
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Clay Cubes
Hand cut clay cubes
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Grid, all doing the same thing
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Sinkhole
Sink Hole series explores the beginning; strata, primal and human - made replication of a digital void.
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Passive screen time, I might as well paint cubes
Drawing repetitive cubes using clay slip, within the context of a digital immersion.
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Cube Dust
Cosmos of pixelation, infinite.
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Flip Book
Replicating a moving image using an analogue flip book technique.
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Transferable skills
A single drawn line is generally of little value by the simplicity of its making or time to create. Each 1cm square acetate has been hand cut and individually glued to the surface, adding value. Various hand techniques have been used to create this work.
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Croquis
5 and 10 minute sketch
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Ancient Pixelation
Archiving processes, nuanced artefacts, rediscovered.
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Replicating a pixelated image
Each stage in the production of making the series is made by hand. Using pin hole camera, chemigram and cliche verre techniques, cutting, gluing 1cm squares to generate a digital-like image.
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Cubed Pyramids
Humanoid cubes, I like to touch.
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Hybrids, pixelated
Adding value to the drawn line by cutting, gluing and reassembling.
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